Explore inspiration and writing tips on our blog.

Like cats, ideas can’t be forced. They can, however, be lured into coming over to be petted. Ideas like questions. They like curiosity. If you’re feeling stuck in a story, one of the very best things you can do is to start asking questions.

If you‘ve ever taken a class with me, you know that I talk a lot about Fate. Not because I believe that everything happens for a reason—it’s because the understanding we take from the events that happen to us is the essence of storytelling. 

I can only edit my work when I’ve done the work of becoming the person that can edit the work. I am a different person when I’ve written the ending. And then I change and become the Editor.

There’s a Greek word—meraki—that describes the act of doing something with love, of putting your soul and creativity into it. Anything can be done with meraki, even a mundane task like cleaning, if it’s done with joy and love. It’s fascinating how easily artists I know lose sight of meraki.

In this season in which everything seems to speed up, with holidays and the end of the year and travel and more, the darkness makes me want to slow down. I’m usually a morning writer, but in winter I’ll find myself at the keyboard longer, later.

Once, a dear friend told me, “If you aren’t failing, then you aren’t challenging yourself enough.” As artists, we should be ambitious. If we always write everything perfectly the first time, we simply aren’t growing.

A writer’s job is to capture the reader’s attention and hold it. And that isn’t just about relating what happened to whom, although it definitely helps to have interesting events happen to interesting people.

Writers are always learning and always teaching one another. Ideally, a writing group is a place where everyone is always raising their game.

It's impossible to force yourself to have an idea, but it's easy to get curious. It's our natural human state. So if you're casting around for an idea, try one of our daily writing prompts. Let your curiosity guide you. 

So much of life is a haunting. We feel the tendrils of our past clinging to us as we navigate our lives. Memories exist on another plane but travel with us, influencing the way we see and experience.

November 1 marks the beginning of National Novel Writing Month, which features a challenge to write 2,000 words a day every day through November 30. I know a number of people tackle this challenge, but I never have.

The piece of writing advice I’ve heard most often is, “Show, don’t tell.” I know a lot of writers struggle with this.

“The deal gets worse” is a foundational tenet of storytelling. We create a character who has a problem. And then things get worse. And worse. And worse...until they are so bad that the character has to do the one thing they desperately don’t want to do (much like handing over Waterworks) to turn it

I love working with archetypes because they offer a shortcut to developing characters. Our brains love to sort people into “types”—the know-it-all, the miser, the orphan, the witch, and so on. Many of these are universally recognizable across cultures, and they often have a huge impact on readers.

I like to think of each period of creativity as a season, and I try to concentrate on only doing the right work in the right season.

What you believe about yourself and the choices you make every day that support that belief are connected. This is why the story you tell yourself is essential. What do you believe is your destiny? What choices are you making that support that belief?

Over fifteen years as a professional writer, I can tell you that the most important measure is whether or not I’m making regular, meaningful progress on my work.

This book is going to be hilarious, I thought. It’ll practically write itself! It did not write itself. After a few false starts, I realized that I needed the one thing that all good fantasy books have: a map.

When I was earning my MFA, I doubled down on my investigations of plot structure. As I was studying Aristotle’s foundational Poetics, I realized that the concept of plot was really no different from fate.

I’m currently facing a crux—the habits I’ve developed over the past two and half years aren’t working for me. I’ve been writing less, exercising less, staying home more (thanks, pandemic), and yet not cleaning or doing productive house stuff.

Every story is made up of moments in which our characters’ thoughts or situations change. A new idea or reality comes into being as our character learns information or faces a situation that changes their emotional state.

The trick about revision is to truly attempt to see your work anew, to employ a new vision.

I’ve seen many writers create twenty, fifty, or one hundred pages—or even more—and then stall out. This is usually because the writer hasn’t done the work necessary to explore the characters in their work.

Summer's here. Naturally, being a writer, I can’t possibly ponder time off or travel without heaping it high with ambitious writing-related goals, such as “finish my To-Be-Read list” and “write novel”. This is why I am forcing myself to think in terms of smaller goals.

Recently, I learned something interesting: there’s no such thing as multitasking. People believe in multitasking and, in fact, most people think that they’re very good at it. But the evidence shows that what looks like multitasking is actually rapid task-switching.

I'm tired. I don’t have time for a vacation, but I really need a break. So I’ve deiced that for a little while, I’m going MVP—Minimum Viable Progress.

Settings are places, but they’re places that the characters have a relationship with and an emotional response to.

Sometimes, writing can feel overwhelming. Halfway through, we wonder, “Why did I ever begin this project?” It’s only at the end that we realize that we could do it, that we did do it, and that we’re stronger than we thought.

If I write a terrible draft and can’t figure out how to fix it, it’s fine to let it go. It’s also fine to fix it or change it entirely. Writing without expectations frees me to experiment and take chances with my prose.

The long slog through the first draft can be so discouraging that I wonder if the project will ever come together. But then, suddenly—and almost always surprisingly—it does.

When we create characters, we often draw on these elements to understand the complex people we’re crafting on the page. And we sometimes want to use these archetypes to set up (or subvert) reader expectations and assumptions.

If you're a writer, it's essential to have writer friends. Friends who understand the highs and lows of your career, the joys and frustrations of the writing process, and most importantly, the need for coffee. (And lots of it!)

As writers, we always bring ourselves to our writing. We're like magpies, collecting bits and pieces of our lives and weaving them into a story. Even my fiction is inspired by people, events, and places that are real to me. This is the essence of "writing what you know."

As writers, we often say that we love writing. But that doesn't make it easy to meet the page every day. Like all forms of love, a love of writing is complicated, and—sometimes—messy.

Every one of us is perfectly alone, living a unique life that only we experience. But we also live in community with a planet full of voices.Writing is the act of trying to make sense of these voices and to find meaning in their stories.

The art of writing depends on careful observation, not only of places, people, and objects, but of how things are like other things. Weather included. Whether someone’s eyes are stormy or the drizzle makes us feel gloomy or the cloud is lonely, the link between human emotions and weather is often fe

As we think about characters’ emotional journeys, we see that events can lead to personal change. This is why writing is so powerful—in choosing these events, we pull back the layers on the ways that human beings interact, grow, decay, and influence each other.

One of the hardest moments of my day comes right before I begin working. That’s the moment that my mind starts scrambling for something, anything else to do.

It’s winter where I live in New England, and the snow has settled over the landscape in an icy patchwork. For those of us with similar weather, this is the season in which we naturally settle down and get cozy.

It’s hard to believe that we’re already firmly into 2022. For me, the past two years have passed as if they were a dream. 

2021 is almost over, and many of us are ready for a fresh start. Life in a pandemic can feel like a grind and has left many of us (myself included) feeling unmoored from so-called “normal” existence.

When I was a kid growing up in Texas, I attended a summer camp for horseback riding. My horse was named Diablo, and he had a mind of his own. In fact, he had a taste for the scrubby shrubs that grew all around the camp, and would sometimes wander off the trail for a snack.

The first summer during the pandemic I decided to take on a low-stakes self-improvement project. I signed up for Duolingo and started learning French.

Most people who are interested in productivity have heard of SMART goals. This acronym outlines a framework to help people ensure that their goals are Specific, Measurable, Actionable, Relevant, and Time-Bound.

This post covers Guiding Beliefs, Character Arcs, Backstory, Passions, Flaws, External Wants, and Internal Wants.

I recently went to see Eternals. This latest Marvel installment stars Angelina Jolie and Kumail Nanjiani (among others) and was directed by Oscar-winner Chloe Zhao.With top-tier talent and a budget of 200 million dollars, Eternals managed to be something truly amazing: boring.

As writers, we’re often concerned with the quality of our writing. We explore craft and read great books and consider how they’re made, and how we can incorporate those ideas into our own work. That’s good.

There’s something about fall that always makes me feel nostalgic. November marks the beginning of the holiday season, and Thanksgiving is tied up with memories both of past celebrations but also of all that the past year has given us. 

It’s November, which you may or may not know is National Novel Writing Month. Every year, thousands of people sign up to write 50,000 words by the end of the month.

My birthday is at the end of August, and I had big plans: I was going on a hot air balloon ride. I’m not a big “bucket list” person, and this is really the only thing I’ve always wanted to do.

This page explains why Bookflow is designed to show you how to write an outline, when to use an outline, and our Big Picture Philosophy of storytelling that’s based on beliefs about storytelling held by E.M. Forster, Aristotle, and Shakespeare.

Plus scene description examples. A large part of writing a good scene-by-scene outline lies in understanding what makes a scene

This is one of the most common questions I hear when I speak to people about writing. The fact is that I often get inspired by starting to write. Like Octavia Butler, I don’t wait for inspiration to come to me and, frankly, that means that it doesn’t matter if it shows up or not.

This week, I felt like I just couldn’t bear to write this newsletter. I’m all out of ideas, I thought. I’m a creative raisin—all dried up. I felt as if I had nothing to say, and I wasn’t sure anyone would want to hear it, anyway. This is not a mindset that inspires writing, let me tell you.

One of the most common questions I get from people who want to devote more time to writing is, “How do you fit it into your day?” These people are juggling work and/or family along with volunteer commitments and a million other things.

You may not realize this, but the very first Labor Day Parade was not a national holiday—it was a strike. In 1882, many American workers were toiling for twelve hours a day, seven days a week in physically demanding, often unsafe conditions.

I’ve often heard writers lament that they wish they had “more interesting” lives so that they would have more material to write about. It isn’t always easy to control the breadth of our life’s experience, but we can control the depth.

I never know what the theme of my novel will be before I write it. Oh, I usually have an idea of the thoughts I want to explore.

I’m taking a sketching class. Why? Well, the truth is that a few nights ago I stayed up a bit too long looking at Facebook and I fell victim to online advertising. 

Whenever I attend a talk by a prominent writer, someone always stands up during the question and answer to ask about their artistic process. It’s always interesting to hear how writers spend their day and what makes them productive.

I remember my husband’s confused reaction when I told him that I wanted to get a Master’s degree in writing.

It strikes like clockwork—whenever I’m deep into the first draft of a novel or inconceivably busy with Bookflow, the Muse will start rapid-fire dropping new ideas into my ear.

My senior year English teacher was one of those amazing people who manages to change lives with the power of her passion for a subject. She loved reading poems, books, and stories, but most of all, she loved writing.

When I was a kid, I loved reading Peanuts cartoons. There was a whole series about Snoopy as he tried to write a novel. He sat atop his red doghouse with a typewriter and bangs out: Book One Part One Chapter One Page One. “What a great start!” he tells himself.

For the past two months, I’ve been deep in the harvest season of my writing. I’m working on a new novel, due to come out in early summer 2022, and after all of the planning and brainstorming and outlining, it finally came time to write the thing.

People often ask me how to move past writer’s block. Well, I have some news! There’s only one way to get over it—you have to write.

This week, I heard from a dear friend who gave me an update on her life. The subject line of her Email was “your burners are in my morning essay”, which was a callback to a conversation we’d had several years ago in which, I developed Burner Theory.

In my novel The Dreamway, there’s a character named Spuddle. That’s actually an old, obscure word that means to make a fuss over something small or to work inefficiently.

When we accept and own ourselves as creative people, we are accepting incredible power. We have the power to create worlds and shape minds. And this begins with the stories we tell ourselves.

Sometimes, when we are writing, a good omen will appear. This is just further evidence that the Muses are watching, waiting, and secretly whispering their blessings over our work.

As you probably know by now, one of the main reasons I created Bookflow is to help writers see into their plots more easily. I just love teasing out plots and figuring out the exact right events/series of events that will help our characters become the person they were meant to be.

 The other day, I saw a social media post suggesting that writers name the little critical voice that lives at the back of their mind, the one who constantly has negative feedback and discouraging things to say.

Last weekend, I gave a presentation on how to use Marie Kondo’s organizing method (based on her bestselling book, The Life-Changing Magic of Tidying Up) to approach the creative process.

When I was earning my MFA, I chose a low-residency program because the model made perfect sense to me: Stay on campus for ten days at “writer camp”, then come home and do the work. Unless you are working with a co-writer, writing is something that can really only be accomplished alone.

I created Bookflow because I believe that the creative life is truly a life in which you are the crafting destinies. Not only the destinies of our characters but our own destiny. We all know that words are powerful.

Whenever I start a new writing assignment, I’m always over-optimistic about how long it will take to complete. This will practically write itself, I think. It’s simple! I have all of the ideas already!

Writers are often advised that good writing involves showing, not telling. But it can be a struggle to convey complex emotions in ways that feel clear and comprehensible.

Sometimes I read a book—or even just a sentence—so lovely that it makes me burn with envy. I want that! I’ll think. I want that beautiful sentence to be mine, to come from my brain! Then I’ll frown at my own sentences, suddenly unhappy with them.

The most common questions I get from writers are about Plot Structure: What is plot structure? Is the plot structure of a comedy different from the plot structure of a tragedy? Do I really need to create a structure for my story?

Every writer I know has had this experience: you meet someone, and they inform you that they have a “great idea for a book” which they are willing to tell you if you agree to write the book and split the money with them. It’s terribly awkward when you have to tell them no.

One of the most common questions I get from people who want to devote more time to writing is, “How do you fit it into your day?” These people are juggling work and/or family along with volunteer commitments and a million other things.

This Sunday is World Poetry Day. Even if you don’t consider yourself a poet, poetic language, imagery, and a sense of poetic rhythm are essential tools for any writer. Mary Oliver writes, “A poem on the page speaks to the listening mind.”

I used to have a boss who took a fifteen-minute nap every day after lunch. She had a flat square pillow that she would place on her desk. Then she would place her head on the pillow and fall asleep for about fifteen minutes.

My husband and I live on different schedules. I like to wake up bright and early, before the rest of the family, to read, write, and drink coffee. Those quiet hours are a treasure for me, and when I oversleep and have to jump directly into my responsibilities, I feel off for the rest of the day.

When I was forty, I went back to school for a master’s degree in creative writing. I was already well-published and had a background as an editor for major houses, and many of the younger writers in the program seemed baffled by my presence.

Everyone procrastinates sometimes. Even though writing is one of my greatest joys, sometimes I resist doing it.

It’s amazing how much of writing is driven by love. Character motivations, relationships, desires, decisions—when you understand what your character loves, you understand what they will do and why they will do it, which is the core of storytelling.

Fiction is the art of showing related events that result in a character’s transformation. We are the result of our choices and our actions; that’s the lesson learned over and over both in fiction and memoir. As Heraclitus famously said, “Character is destiny.”

Discipline is the un-sexiest tool in the muse’s box. Talent? Everyone wants that. Brilliance? Of course! Luck? Sign me up. But discipline? Ew. Sounds boring. And painful.

One of the main forces behind any plot is a character’s desire. When a character wants something, he/she/they will make decisions and take actions that revolve around getting that thing. We call this the character’s desire line.

Many of the artists I know are messy. As a group, we tend to be magpies, picking up stories, memories, moments, and notable observations of all kinds and storing them away like shiny objects.

It’s the beginning of the new year, and many of us are scratching around for new ideas or digging deeper into ones we’ve already begun. When you’re writing a first draft or any piece of exploratory writing, there are two things to watch out for: the Critic and the Censor.

In his book, Atomic Habits, James Clear makes the argument that tiny improvements can yield big results. He offers the example of the 2003 British Cycling team.

I outline every book. Sometimes I write the outline before tackling the first draft. Sometimes I write the outline before tackling the revision. Sometimes I do both.

Mihaly Csikszentmihalyi is the author of Flow, a book about the creative mental state in which we are fully absorbed in our task to the point of losing all sense of time.

Meraki is a Greek word meaning to do something with great attention and pleasure—a sense of joyful passion. It can be applied to artistic activities, like writing or painting, but it can also refer to everyday tasks, such as cooking, cleaning, or even making a cup of coffee.

One of the most common complaints I hear from writers who want to write a novel is, “I need help with my plot! I don’t know what should happen next!” Often when writers struggle with how to plot a novel or story, it’s because we are overlooking hints and clues in our own work.

The other day, a friend posted that this year is not the year to expect wonderful things. It is a year to appreciate the things in your life that are wonderful. Many of us are struggling with the realities of this year.

Sometimes I wonder why I bother. Really. I wonder why I sit down and labor over a novel or a newsletter, and I ask myself, “What difference does it make? Does anyone care?” It’s at these moments that I have to remind myself that of course someone cares.

When you’re telling a story, it’s vital that you keep a sense of your ending in your mind. You don’t need to know the exact ending before you write it, but you should have a sense of how it will feel to the reader. Happy? Sad? Mixed?